MAJOR Chord (M): 1-3-5
WHAT'S IT SOUND LIKE?--Some Easy Open Forms:
A Major C Major D Major
x o o x o o x x o
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | [1] | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | [2[]2][3] | | | [2] | | | | | | [1] | [2]
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | [3] | | | | | | | | [3] |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
E Major G Major
o o o (x) o o o
+--+--+--+--+--+ +--+--+--+--+--+
+--+--+--+--+--+ +--+--+--+--+--+
| | | [1] | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+
| [2][3] | | | | (2) | | | |
+--+--+--+--+--+ +--+--+--+--+--+
| | | | | | [3] | | | | [4]
+--+--+--+--+--+ +--+--+--+--+--+
CHORD TABLE & SAMPLE VOICINGS
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| Voicing Examples for Each Position
(non-bold #'s are optional!) |
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- Most Common Uses
- I, V, IV; bIII, bVI, bVII
- Important Homonym Relationships
- I (Major) =
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_ii_9sus4 (no root,5th)
e.g.: C = D9sus4 (no root,5th)
[iii+]
e.g.: C = Em+
_iv_M9 (no root,3rd)
e.g.: C = FM9 or Fm(M9) (no root,3rd)
bV7b9b5 (no root,3rd)
e.g.: C = Gb7b9b5 (no root,3rd)
bVIM7+ (no root)
e.g.: C = AbM7+ (no root)
vi7 (no root)
e.g.: C = Am7 (no root)
VI7#9 (no root,3rd)
e.g.: C = A7#9 (no root, 3rd)
bVIIM6/9b5 (no root,3rd)
e.g.: C = BbM6/9b5 (no root,3rd)
- Further Notes
- THE BASIC chord of Western harmony. (Uh, yes, Country -Western,
too, but. . . !)
Note that a capital roman numeral by itself represents a simple major chord
(I = I Major), just as C by itself as a chord name implies a C Major chord....
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