__ __ |
__ __ |
__ __ |
__ __ |
__ __ |
__ __ |
| 1 | |
| 4 | |
| b7 | |
| b3 | |
| 5 | |
| 1 | |
| b2 | |
| b5 | |
| 7 | |
| 3 | |
| #5 | |
| b2 | |
| 2 | |
| 5 | |
| 1 | |
| 4 | |
| 6 | |
| 2 | |
| b3 | |
| #5 | |
| b2 | |
| b5 | |
| b7 | |
| b3 | |
| 3 | |
| 6 | |
| 2 | |
| 5 | |
| 7 | |
| 3 | |
| 4 | |
| b7 | |
| b3 | |
| #5 | |
| 1 | |
| 4 | |
| b5 | |
| 7 | |
| 3 | |
| 6 | |
| b2 | |
| b5 | |
| 5 | |
| 1 | |
| 4 | |
| b7 | |
| 2 | |
| 5 | |
| #5 | |
| b2 | |
| b5 | |
| 7 | |
| b3 | |
| #5 | |
| 6 | |
| 2 | |
| 5 | |
| 1 | |
| 3 | |
| 6 | |
| b7 | |
| b3 | |
| #5 | |
| b2 | |
| 4 | |
| b7 | |
| 7 | |
| 3 | |
| 6 | |
| 2 | |
| b5 | |
| 7 | |
| 1 | |
| 4 | |
| b7 | |
| b3 | |
| 5 | |
| 1 | |
| b2 | |
| b5 | |
| 7 | |
| 3 | |
| #5 | |
| b2 | |
| 2 | |
| 5 | |
| 1 | |
| 4 | |
| 6 | |
| 2 | |
| b3 | |
| #5 | |
| b2 | |
| b5 | |
| b7 | |
| b3 | |
| 3 | |
| 6 | |
| 2 | |
| 5 | |
| 7 | |
| 3 | |
__ __ |
__ __ |
__ __ |
__ __ |
__ __ |
__ __ |
For instance, the Major triad's formula is 1-3-5; using only the 1's, 3's, and 5's on the chart (in bold or color now), you can come up with many possible chord fingerings (voicings):
| 1 | |
| 4 | |
| b7 | |
| b3 | |
| 5 | |
| 1 | |
| b2 | |
| b5 | |
| 7 | |
| 3 | |
| #5 | |
| b2 | |
| 2 | |
| 5 | |
| 1 | |
| 4 | |
| 6 | |
| 2 | |
| b3 | |
| #5 | |
| b2 | |
| b5 | |
| b7 | |
| b3 | |
| 3 | |
| 6 | |
| 2 | |
| 5 | |
| 7 | |
| 3 | |
| 4 | |
| b7 | |
| b3 | |
| #5 | |
| 1 | |
| 4 | |
1 5 1 3 5 1 (THE rock bar chord)
- - 1 3 5 1 ("easy" version of above chord)
- 5 1 3 - - (could come in handy!)
3 - 1 5 1 - (nice 1st inversion)
- - - 5 1 3 ("melody" chord)
. . . etc., etc.
[file:] Chord Formulae & Fingerboard Chart (13K txt)